| 
 Stultifying boredom, sexual frustration, rage, pain and destruction 
characterised the lives of the charmless unemployed bottom-feeders Richard 
Richard and Edward Hitler in Rik Mayall and Adrian Edmondson's self-penned 
Bottom. 
Richie and Eddie are best friends but, having lived in each other's pockets 
for most of their lives, they loathe each other with a venom that commonly 
results in extreme domestic punch-ups. They delude themselves that they are 
fantastically attractive, suave and sophisticated, but in reality they are vile, 
socially inept chauvinists with appalling personal hygiene and no redeeming 
qualities. They are continually surprised by their repeated failure to attract 
women despite their relentlessly enthusiastic endeavours, including a dating 
agency and a dubiously-named aphrodisiac spray. 
Episodes also centred on their pathetic attempts to make money by gambling, 
stealing, swindling or waiting for relatives to die - anything but actually 
working. Most of the comedy lay in the cartoonish slapstick violence that Richie 
and Eddie would frequently inflict upon each other, and the perennial recourse 
to toilet humour and jokes about body parts. Another recurring gag was Richie's 
implausible claim to have fought in the Falklands conflict. 
Unashamedly crude, vulgar and infantile, Bottom tended to divide audiences, but the two leads have a gift for physical comedy that has often been 
undervalued, and television has never before or since seen a pair of such 
irredeemably grotesque 'heroes'. Richie and Eddie's violent interplay was a 
culmination of a succession of previous Mayall-Edmondson double acts: 'The 
Dangerous Brothers', their stage act from their early Comedy Store days, Vyvyan 
and Rik in The Young Ones (BBC, 1982-84), and namesakes Richie and Eddie in 
Filthy Rich and Catflap (BBC, 1987). 
The last episode of the second series, 'Bottom's Out', in which Richie and 
Eddie attempt to camp on Wimbledon Common for a week as a bet, was withheld from 
broadcast following the murder of Rachel Nickell there. It was eventually shown 
more than two years later (tx. 10/04/1995). 
A big-screen adaptation, Guest House Paradiso (d. Edmondson, 1999), with 
Richie and Eddie disastrously attempting to run a hotel, was critically mauled, 
but a stage version toured British theatres to appreciative 
audiences. 
Hannah Hamad 
 
 |