| Russell T. Davies was by the late '80s a producer in the Children's 
Department at BBC Manchester. Keen to break into drama and inspired by his fan 
devotion to 70s children's fantasy series such as The Tomorrow People (ITV, 
1973-79), Davies submitted a script of episode one of The Adventuresome Three to 
department head Anna Home in 1989. Quickly accepted to fill a gap when Tony 
Robinson deferred on a third season of Maid Marian and Her Merry Men (BBC, 
1989-93), the serial, eventually titled Dark Season, launched Davies' drama 
career. The two adventures that comprised the run both pitted three wise-cracking 
schoolchildren against dormant computer-based technologies reactivated in the 
name of fin-de-siƩcle destruction. The children encounter first a threat to take 
over the world using sinister computers given free to every child in their 
school, then a group of Neo-Nazis led by mad computer genius Miss Pendragon 
attempting to revive Behemoth, an artificial intelligence buried beneath the 
school site decades ago by the Ministry of Defence. Davies aimed to create "a fast, lively romp with no strings attached, no 
subtext." Indeed, Dark Season is a pacy adventure comic strip, no more, no less. 
Davies felt he could only achieve the beginning-middle-end pace he craved by 
structuring the six-parter as two three-part serials, which he did without 
telling his bosses ("in case they said no"). He stumbled across the idea of 
bringing back Eldritch, the shades-wearing villain of the first three-parter, as 
a big reveal, creating a linked serial feel. The witty, fast-moving and fun production has an impressive sense of scale at 
times and Colin Cant achieved the comic strip feel by constantly shooting at 
askew angles. The latter half only lets the side down with some terrible Aryan 
blonde wigs and even vurse German accentz. As well as marking Davies' drama debut, this was a major break for the 
15-year-old Kate Winslet as Reet. Winslet is good but her character is outshone 
by Marcie Hatter, a lively and searching central character whose eccentricity 
betrayed Davies' desire to write for Doctor Who. Plans for a sequel featuring a virtual reality gaming arcade and psychic 
twins were abandoned when Maid Marian was reactivated but Dark Season's creative 
team would before long be reunited for Century Falls (BBC, 
1993). Alistair McGown   |