| |
| Film credits |
| |
| SPARE A COPPER | 1940 | camera operator (uncredited) |
| A GOOD LANDFALL | 1941 | photography |
| THE BELLS GO DOWN | 1943 | special effects camera (uncredited) |
| SAN DEMETRIO LONDON | 1943 | special effects (uncredited) |
| NINE MEN | 1943 | camera operator |
| THEY CAME TO A CITY | 1944 | special effects (uncredited) |
| THE HALFWAY HOUSE | 1944 | special effects photography (uncredited) |
| DEAD OF NIGHT | 1945 | special effects |
| THE CAPTIVE HEART | 1946 | 2nd unit photographer |
| BEDELIA | 1946 | special photographic effects |
| FRIEDA | 1947 | exterior photography |
| AGAINST THE WIND | 1947 | photography |
| THE LIFE AND ADVENTURES OF NICHOLAS NICKLEBY | 1947 | special effects |
| THE LOVES OF JOANNA GODDEN | 1947 | special effects |
| PASSPORT TO PIMLICO | 1949 | director of photography |
| TRAIN OF EVENTS | 1949 | photography |
| POOL OF LONDON | 1950 | additional photography |
| THE BLUE LAMP | 1950 | 2nd unit photographer |
| DANCE HALL | 1950 | additional photography |
| THE MAGNET | 1950 | director of photography |
| THE MAN IN THE WHITE SUIT | 1951 | additional photography |
| VALLEY OF SONG | 1953 | photography |
| THE GOOD BEGINNING | 1953 | photography |
| DANGEROUS CARGO | 1954 | photography |
| THE NIGHT MY NUMBER CAME UP | 1955 | director of photography |
| NO ROAD BACK | 1956 | photography |
| THE SUPREME SECRET | 1957 | photography |
| THAT WOMAN OPPOSITE | 1957 | photography |
| THE SURGEON'S KNIFE | 1957 | photography |
| GRIP OF THE STRANGLER | 1958 | photography |
| I ONLY ARSKED! | 1958 | director of photography |
| FIEND WITHOUT A FACE | UK/US, 1958 | photography |
| THE SHERIFF OF FRACTURED JAW | US/UK, 1958 | 2nd unit camera |
| GOD SPEAKS TODAY: The Supreme Secret | 1959 | photography |
| SECRET OF RADIANT LIFE: Shield of Faith | 1959 | photography |
| SECRET OF RADIANT LIFE: Be Not Afraid | 1959 | photography |
| HEM HAYU ASARA / THEY WERE TEN | Israel, 1960 | photography |
| BEYOND THE CURTAIN | 1960 | second unit cameraman |
| THE REBEL | 1960 | 2nd unit director of photography (uncredited) |
| LIKE UNTO YOU | 1961 | photography |
| THE BATTLEAXE | 1962 | photography |
| SHE ALWAYS GETS THEIR MAN | 1962 | director of photography |
| THE DURANT AFFAIR | 1962 | photography |
| THE LAMP IN ASSASSIN MEWS | 1962 | director of photography |
| BLOWUP | 1966 | special effects (uncredited) |
| |
| Television credits |
| |
| THE ADVENTURES OF THE SCARLET PIMPERNEL: Sir Andrew's Fate | ITV tx 26/10/1955 | director of photography |
| THE ADVENTURES OF THE SCARLET PIMPERNEL: Winged Madonna | ITV tx 7/2/1956 | photography |
| THE COUNT OF MONTE CRISTO: Devil's Emissary | ITV tx 7/4/1956 | director of photography |
| THE SAINT: The Miracle Tea Party | ITV tx 27/9/1964 | director of photography |
| THE AVENGERS: House That Jack Built | ITV tx 4/3/1966 | photography |
| THE AVENGERS: How To Succeed.... At Murder | ITV tx 18/3/1966 | photography |
| THE AVENGERS: Honey for the Prince | ITV tx 25/3/1966 | photography |
| MAN IN A SUITCASE: The Girl Who Never Was | ITV tx 25/11/1967 | director of photography |
| MAN IN A SUITCASE: Find the Lady | ITV tx 16/12/1967 | director of photography |
| MAN IN A SUITCASE: Whisper | ITV tx 13/1/1968 | director of photography |
| MAN IN A SUITCASE: Boston Square | ITV tx 27/1/1968 | director of photography |
| MAN IN A SUITCASE: Property of a Gentleman | ITV tx 24/2/1968 | director of photography |
| MAN IN A SUITCASE: Night Flight to Andorra | ITV tx 30/3/1968 | director of photography |
| MAN IN A SUITCASE: Castle in the Clouds | ITV tx 9/4/1968 | director of photography |
| MAN IN A SUITCASE: The Bridge | ITV tx 27/4/1968 | director of photography |
