| |
| HOW TO FILE | 1941 | Director |
| MOBILISING PROCEDURE | 1942 | Director |
| FRUIT SPRAYING | 1942 | Director |
| DEBRIS TUNNELLING | 1943 | Director |
| HIGHLAND DOCTOR | 1943 | Director |
| HIGHLAND DOCTOR | 1943 | Script |
| HIGHLAND DOCTOR | 1943 | [bicycling district nurse] |
| PENICILLIN | 1944 | Director |
| NEW BUILDERS | 1944 | Director |
| HOMES FOR THE PEOPLE | 1945 | Director |
| TAKE THOU | 1946 | Director |
| CINE PANORAMA | 1946 | Director |
| NEAR HOME | 1946 | Director |
| TWENTY-FOUR SQUARE MILES | 1946 | Director |
| La FAMILLE MARTIN | 1948 | Director |
| A PLAN TO WORK ON | 1948 | Director |
| HOW WHAT AND WHY? NO. 2 | 1948 | Producer |
| La FAMILLE MARTIN | 1948 | Editor |
| HOW WHAT AND WHY? NO. 1 | 1948 | Director |
| HISTOIRE DE POISSONS | 1949 | Director |
| HISTOIRE DE POISSONS | 1949 | Editor |
| DEPART DE GRANDES VACANCES | 1950 | Director |
| WORKING IN A STORE | 1950 | Director |
| DEPART DE GRANDES VACANCES | 1950 | Editor |
| WORKING IN A STORE | 1950 | Script |
| CLEARING THE LINES | 1951 | Director |
| MARDI AND THE MONKEY | 1953 | Director |
| MARDI AND THE MONKEY | 1953 | Script |
| The NEW BOAT | 1955 | Director |
| A QUIET MORNING | 1955 | Director |
| The NEW BOAT | 1955 | Script |
| The NEW BOAT | 1955 | Editor |
| The KID FROM CANADA | 1957 | Director |
| DANGER LIST | 1957 | Continuity |
| A CLEAN SWEEP | 1958 | Continuity |
| SERIOUS CHARGE | 1959 | Continuity |
| OSCAR WILDE | 1960 | Continuity |
| The BOYS | 1962 | Continuity |
| FROM RUSSIA WITH LOVE | 1963 | Continuity |
| The LIST OF ADRIAN MESSENGER | 1963 | Continuity |
| The HEROES OF TELEMARK | 1965 | Continuity |
| ISLAND OF TERROR | 1966 | Continuity |
| FAHRENHEIT 451 | 1966 | Continuity |
| HENRY VIII AND HIS SIX WIVES | 1972 | Continuity |
| MAHLER | 1974 | Continuity |
| WHERE IS PARSIFAL? | 1983 | Script Supervisor |
| The MADNESS MUSEUM | 1986 | Continuity |
| The SPY WHO CAUGHT A COLD | 1994 | Continuity |
| I WAS CATHERINE THE GREAT'S STABLE BOY | 1998 | Script Supervisor |
