| |
| Film Credits |
| |
| SATAN'S SISTER / GIPSIES OF THE SEA | 1925 | assistant camera |
| A WOMAN REDEEMED | 1927 | assistant cameraman |
| THE TRIUMPH OF THE SCARLET PIMPERNEL / THE RETURN OF THE SCARLET PIMPERNEL / SCARLET PIMPERNEL | 1928 | cameraman |
| THE GUNS OF LOOS | 1928 | lighting |
| THE PRICE OF DIVORCE | 1928 | photography |
| C O D A MELLOW DRAMA | 1929 | by {as Desmond Dickenson) |
| SUCH IS THE LAW | 1930 | photography |
| LLOYD OF THE C.I.D. / DETECTIVE LLOYD / THE GREEN SPOT MYSTERY | 1931 | photography |
| JEALOUSY | 1931 | photography |
| THREADS | 1932 | photography |
| HERE'S GEORGE | 1932 | photography |
| THE CALL BOX MYSTERY | 1932 | director of photography |
| LOVE'S OLD SWEET SONG / THE MISSING WITNESS | 1933 | photography |
| COMMISSIONAIRE | 1933 | photography |
| KARMA / FATE / SONG OF SERPENT | India/UK, 1933 | photography |
| DICK TURPIN | 1933 | photography |
| DAUGHTERS OF TODAY | 1933 | photography |
| DANNY BOY | 1934 | photography |
| GRAND PRIX | 1934 | photography |
| SONG AT EVENTIDE | 1934 | photography |
| ROMANCE IN RHYTHM / NIGHT CLUB MURDER | 1934 | photography |
| CITY OF BEAUTIFUL NONSENSE | 1935 | photography |
| STRICTLY ILLEGAL / HERE COMES A POLICEMAN | 1935 | photography |
| A REAL BLOKE / THE NAVVY | 1935 | photography |
| THE SMALL MAN | 1935 | photography |
| VARIETY | 1935 | photography |
| BARNACLE BILL | 1935 | photography |
| COCK O' THE NORTH | 1935 | photography |
| SUNSHINE AHEAD | 1935 | photography |
| STARS ON PARADE / THE STAR PARADE | 1936 | photography |
| LIEUTENANT DARING, R.N. | 1936 | photography |
| KING OF HEARTS / LITTLE GEL | 1936 | photography |
| HOLIDAY'S END | 1937 | photography |
| SONG OF THE FORGE / THE VILLAGE BLACKSMITH / BLACKSMITH | 1937 | photography |
| SHOOTING STARS | 1937 | camera |
| NIGHT RIDE | 1937 | photography |
| CALLING ALL CROOKS | 1938 | camera operator |
| THE ARSENAL STADIUM MYSTERY | 1939 | photography |
| WESTWARD HO! | 1940 | photography |
| YESTERDAY IS OVER YOUR SHOULDER / YESTERDAY'S OVER YOUR SHOULDER | 1940 | photography |
| HER FATHER'S DAUGHTER | 1941 | director |
| EATING OUT WITH TOMMY TRINDER | 1941 | director |
| C.E.M.A. / COUNCIL FOR ENCOURAGEMENT OF MUSIC AND ARTS | 1942 | director; script |
| A MODERN MIRACLE | 1942 | director |
| SECRET MISSION | 1942 | special effects |
| THEY FLEW ALONE / WINGS AND THE WOMAN | 29/06/1942 | special effects photography |
| THURSDAY'S CHILD | 1943 | director of photography |
| A CANTERBURY TALE | 21/08/1944 | camera operator (2nd) (uncredited) |
| MEN OF TWO WORLDS / WHITE ANTS / KISSENGA, MAN OF AFRICA | 1946 | photographed by |
| HUNGRY HILL | 1947 | director of photography |
| HAMLET | 1948 | photography |
| THE ROCKING HORSE WINNER | 1949 | director of photography |
| MADNESS OF THE HEART | 1949 | director of photography |
| THE HISTORY OF MR. POLLY | 28/03/1949 | director of photography |
| THE WOMAN IN QUESTION / FIVE ANGLES ON MURDER | 1950 | director of photography |
| MORNING DEPARTURE / OPERATION DISASTER | 1950 | director of photography |
| THE BROWNING VERSION | 1951 | director of photography |
| ENCORE | 1951 | director of photography |
| MEET ME TONIGHT / TONIGHT AT 8.30 | 1952 | director of photography |
| THE IMPORTANCE OF BEING EARNEST | 1952 | director of photography |
| L' AMANTE DI PARIDE / THE FACE THAT LAUNCHED A THOUSAND SHIPS / FEMMINA | Italy 1953 | photography |
| THE NET / PROJECT M.7 | 1953 | director of photography |
| MEET MR. LUCIFER / LET'S PUT OUT THE LIGHT | 1953 | photography |
| THE MAN BETWEEN | 1953 | director of photography |
| CARRINGTON V.C. / COURT MARTIAL | 1954 | director of photography |
| GENTLEMEN MARRY BRUNETTES | US, 1955 | photography |
| THE LAST MAN TO HANG? | 1956 | director of photography |
| THE BLACK TENT | 1956 | director of photography |
| SAINT JOAN / ST. JOAN | 1957 | director of photography (started: uncredited) |
| ACTION OF THE TIGER | 1957 | director of photography |
| FIRE DOWN BELOW | UK/US, 1957 | photographed by |
| THE STOWAWAY / LE PASSAGER CLANDESTIN | Australia/France, 1958 | photography |
| LE PASSAGER CLANDESTIN / THE STOWAWAY | France/Australia, 1958 | photography |
| INTENT TO KILL | 1958 | director of photography |
| ORDERS TO KILL | 1958 | photography |
| JESSY | 1959 | photography |
| THE HORRORS OF THE BLACK MUSEUM | 1959 | director of photography |
| THE CITY OF THE DEAD / HORROR HOTEL / DOCTOR BLOODBATH | 1960 | director of photography |
| KONGA | 1960 | director of photography |
| FOXHOLE IN CAIRO | 1960 | director of photography |
| THE HANDS OF ORLAC / LES MAINS D'ORLAC | UK/France, 1960 | director of photography |
| MOMENT OF DANGER | 1960 | director of photography |
| TWO AND TWO MAKE SIX / THE GIRL SWAPPERS | 1961 | director of photography |
| THE FRIGHTENED CITY | 1961 | director of photography |
| MARY HAD A LITTLE... | 1961 | director of photography |
| THE DEVIL'S DAFFODIL / THE DAFFODIL KILLER | UK/W. Germany, 1962 | director of photography |
| SPARROWS CAN'T SING | 1962 | photography |
| CAIRO | 1963 | director of photography |
| MURDER MOST FOUL / MRS McGINTY'S DEAD | 1964 | director of photography |
| MURDER AHOY | 1964 | director of photography |
| DOCTOR ZHIVAGO | US/Italy, 1965 | director of photography (2nd unit) |
| A STUDY IN TERROR | 1965 | director of photography |
| THE ALPHABET MURDERS / THE ABC MURDERS | 1965 | director of photography |
| BABY LOVE | UK/US, 1967 | director of photography |
| BERSERK | 1967 | director of photography |
| ATTACK ON THE IRON COAST | US/UK, 1968 | additional photography |
| DECLINE AND FALL / DECLINE AND FALL... OF A BIRDWATCHER | 1968 | director of photography |
| CROOKS AND CORONETS / SOPHIE'S PLACE | 1969 | director of photography |
| THE BEAST IN THE CELLAR | 1970 | director of photography |
| TROG | 1970 | director of photography |
| INCENSE FOR THE DAMNED / BLOODSUCKERS / FREEDOM SEEKERS | 1970 | director of photography |
| NOBODY ORDERED LOVE | 1971 | director of photography |
| WHOEVER SLEW AUNTIE ROO? / WHO SLEW AUNTIE ROO? | 1971 | director of photography |
| BURKE & HARE / THE BODY SNATCHERS | 1971 | director of photography |
| THE FIEND / BEWARE MY BRETHREN | 1971 | director of photography |
| TOWER OF EVIL / HORROR OF SNAPE ISLAND / BEYOND THE FOG | UK/US, 1972 | director of photography |
| THE MAN FROM NOWHERE | 1976 | director of photography |
| |
| Television Credits |
| |
| WOODROW WYATT LOOKS AT: Somerset House | BBC tx 9/9/1959 | photography |
| THE AVENGERS: Game | ITV tx 2/10/1968 | 2nd unit photography |
