| |
| Film credits |
| |
| BRUNEL & MONTAGU | 1928 | on-screen participant |
| THE FIRST BORN | 1928 | titles |
| BALACLAVA / JAWS OF HELL / THE CHARGE OF THE LIGHT BRIGADE | 1928 | editor |
| A SYMPHONY IN TWO FLATS | 1930 | editor |
| THE GHOST TRAIN | 1931 | editor |
| MICHAEL AND MARY | 1931 | editor |
| THE RINGER / THE GAUNT STRANGER | 1931 | editor |
| SUNSHINE SUSIE / THE OFFICE GIRL | 1931 | editor |
| THIRD TIME LUCKY | 1931 | editor |
| THE MIDSHIPMAID | 1932 | editor |
| AFTER THE BALL | 1932 | editor |
| THE FAITHFUL HEART / FAITHFUL HEARTS | 1932 | editor |
| JACK'S THE BOY / NIGHT AND DAY | 1932 | editor |
| LORD BABS | 1932 | editor |
| LOVE ON WHEELS | 1932 | editor |
| MARRY ME | 1932 | editor |
| ROME EXPRESS / MIDNIGHT SPECIAL | 1932 | editor (uncredited) |
| THERE GOES THE BRIDE | 1932 | editor |
| SOLDIERS OF THE KING / THE WOMAN IN COMMAND | 1933 | editor (uncredited) |
| BRITANNIA OF BILLINGSGATE | 1933 | assistant producer |
| A CUCKOO IN THE NEST | 1933 | assistant producer |
| FALLING FOR YOU | 1933 | assistant producer |
| FRIDAY THE THIRTEENTH | 1933 | assistant producer |
| IT'S A BOY! | 1933 | assistant producer |
| I WAS A SPY | 1933 | assistant producer |
| THE LUCKY NUMBER / FIVE AND SIX / A KINGDOM FOR FIVE AND SIX | 1933 | assistant producer |
| CHANNEL CROSSING | 1933 | producer |
| THE GHOUL | 1933 | editor |
| THE GOOD COMPANIONS | 1933 | assistant producer |
| EVERGREEN | 1934 | editor |
| LITTLE FRIEND | 1934 | editor |
| JACK AHOY | 1934 | editor |
| HER LAST AFFAIRE | 1935 | adaptation; editor |
| THE IRON DUKE | 1935 | editor |
| TURN OF THE TIDE | 1935 | editor |
| THE BROWN WALLET | 1936 | screenplay |
| RADIO LOVER | 1936 | screenplay |
| JURY'S EVIDENCE | 1936 | screenplay |
| MODERN ORPHANS OF THE STORM: THE STORY OF THE REFUGEE BASQUE CHILDREN | 1937 | director (uncredited); producer (uncredited) |
| ACTION FOR SLANDER | 1937 | additional dialogue |
| STORM IN A TEACUP | 1937 | director; adaptation |
| THE CITADEL | 1938 | screenplay |
| THE DIVORCE OF LADY X | 1938 | scenario and dialogue |
| PYGMALION | 1938 | scenario (uncredited) |
| SOUTH RIDING | 1938 | screenplay |
| FRENCH WITHOUT TEARS | 1939 | screenplay |
| Q PLANES / CLOUDS OVER EUROPE | 1939 | scenario |
| A WINDOW IN LONDON / LADY IN DISTRESS | 1939 | scenario |
| THE LION HAS WINGS | 1939 | associate producer |
| CHEER BOYS CHEER | 1939 | story |
| OLD BILL & SON | 1940 | director; screenplay |
| SEA FORT | 1940 | director; screenplay |
| TARGET FOR TONIGHT | 1941 | sound mixer (uncredited) |
| WORDS FOR BATTLE | 1941 | producer |
| THE HEART OF BRITAIN / THIS IS ENGLAND | 1941 | producer |
| FERRY PILOT / AIR TRANSPORT AUXILIARY | 1941 | unit poducer |
| COASTAL COMMAND | 1942 | producer |
| LISTEN TO BRITAIN / MUSIC OF WAR / TIN HAT CONCERTO / NATIONAL GALLERY 1941 | 1942 | producer |
| TALE OF TWO CITIES | 1942 | producer |
| WAVELL'S 30,000 | 1942 | producer |
| BUILDERS | 1942 | producer |
| ATLANTIC CHARTER | 1942 | producer |
| DAY THAT SAVED THE WORLD | 1942 | producer |
| FIRES WERE STARTED | 1943 | producer |
| CLOSE QUARTERS / UP PERISCOPE | 1943 | producer |
| WE SAIL AT MIDNIGHT | UK/US, 1943 | producer |
| I WAS A FIREMAN | 1943 | producer |
| WESTERN APPROACHES / RAIDER | 1944 | producer |
| THE WOMAN IN THE HALL | 1947 | screenplay |
| ESTHER WATERS | 1948 | director; producer |
| ONCE A JOLLY SWAGMAN / MANIACS ON WHEELS | 1948 | producer |
| DEAR MR. PROHACK / MR. PROHACK | 1949 | producer; screenplay |
| ALL OVER THE TOWN | 1949 | producer |
| FAMILY PORTRAIT / FESTIVAL OF BRITAIN | 1950 | executive producer |
| THE WOODEN HORSE | 1950 | produced by |
| CHANGING FACE OF EUROPE / GRAND DESIGN PROGRESS REPORT FROM EUROPE | 1951 (6 pts) | executive producer |
| ROYAL HERITAGE | 1952 | producer |
| THE HEART OF THE MATTER | 1953 | producer; screenplay |
| THREE CASES OF MURDER | 1953 | producer; screenplay (uncredited) |
| RAISING A RIOT | 1955 | producer; screenplay; adaptation |
| A HILL IN KOREA / HELL IN KOREA | 1956 | executive producer; screenplay |
| THE ADMIRABLE CRICHTON / PARADISE LAGOON | UK/US, 1957 | producer |
| A CRY FROM THE STREETS | 1958 | producer |
| BANK OF ENGLAND | 1960 | director |
| HUNTED IN HOLLAND | 1960 | producer |
| HUNTED IN HOLLAND | 1960 | screenplay (uncredited) |
| MIX ME A PERSON | 1962 | presented by; screenplay |
| THE BANK OF ENGLAND AT WORK / THE BANK OF ENGLAND - AN INTRODUCTION | 1966 | producer |
| CALAMITY THE COW | 1967 | producer |
| WHAT IS A COMPUTER? | 1970 | production supervisor |
| CHAUCER'S TALE | 1971 | producer |
| |
| Television credits |
| |
| THE GOLDEN YEARS OF ALEXANDER KORDA | BBC1 tx 27/12/1968 | interviewee |
