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| Television Credits |
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| SCENE: To Turn a Blind Eye | BBC1 tx 30/4/1982 | script |
| VISIONS | Channel 4 tx 22/12/1982 | contributor |
| NO PROBLEM! (series 1) | Channel 4 tx 7/1-11/3/1983 (10 eps) | script |
| GOOD AT ART | BBC2 tx 4/11/1983 | script |
| THE BRIDE | BBC2 tx 11/11/1983 | script |
| SALT ON A SNAKE'S TAIL | BBC2 tx 18/11/1983 | script |
| DEAR MANJU | BBC2 tx 25/11/1983 | script |
| COME TO MECCA | BBC2 tx 2/12/1983 | script |
| PARTY AT THE PALACE | Channel 4 tx 31/12/1983 | script |
| THE EMPRESS AND THE MUNSHI | Channel 4 tx 6/11/1984 | script |
| NO PROBLEM! (series 2) | Channel 4 tx 14/1-31/3/1984 (11 eps) | script |
| NO PROBLEM! (series 3) | Channel 4 tx 27/4-1/6/1985 (6 eps) | script |
| TANDOORI NIGHTS (series 1) | Channel 4 tx 4/7-1/8/1985 (5 eps) | script |
| KING OF THE GHETTO | BBC2 tx 1-22/5/1986 (4 pts) | script |
| BOOKMARK: News from Pleasantville: The Story of Reader's Digest | BBC2 tx 26/12/1988 | on-screen participant |
| THE MEDIA SHOW | Channel 4 tx 10/12/1989 | on-screen participant |
| REAR WINDOW: Running down the Mountain | Channel 4 tx 9/6/1992 | commissioning editor |
| REAR WINDOW: Cities of Salt | Channel 4 tx 16/6/1992 | commissioning editor |
| THE BLACK BAG: Turning to Islam | Channel 4 tx 18/6/1992 | commissioning editor |
| BLACK AND WHITE IN COLOUR: Television, Memory, Race, 1968-92 | BBC2 tx 30/6/1992 | on-screen participant |
| RIGHT TO REPLY | Channel 4 tx 22/1/1994 | on-screen participant |
| RIGHT TO REPLY | Channel 4 tx 7/1/1995 | on-screen participant |
| RIGHT TO REPLY | Channel 4 tx 16/11/1996 | on-screen participant |
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| Film Credits |
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| SPLIT WIDE OPEN | India, 1999 | screenplay |
| TAKE 3 GIRLS | 2004 | screenplay |
| AMERICAN DAYLIGHT | India, 1999 | screenplay |
| RED MERCURY | UK/US, 1999 | screenplay |
| THE RISING BALLAD OF MANGAL PANDEY | India, 2005 | screenplay |
| KISNA: THE WARRIOR POET | India, 2005 | screenplay |
| EXITZ | 2007 | screenplay |
| Video Credits |
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| WRITERS IN CONVERSATION: Farrukh Dhondy with H.O. Nazareth | 1987 | interviewee |