| |
|
 |
|
Film & TV credits
|
 |
| | | Film Credits |
| |
| BORN LUCKY | 1932 | clapper boy |
| AFTER DARK | 1932 | clapper boy |
| MONEY FOR SPEED | 1933 | clapper boy |
| FOLLOW THE LADY | 1933 | clapper boy |
| TWO WIVES FOR HENRY | 1933 | clapper boy |
| HIS MAJESTY AND CO. | 1934 | clapper boy |
| JOSSER ON THE FARM | 1934 | clapper boy |
| ROLLING IN MONEY | 1934 | clapper boy |
| THE THIRD CLUE | 1934 | clapper boy |
| BLOSSOM TIME | 1934 | clapper boy |
| MISTER CINDERS | 1934 | clapper boy (uncredited) |
| BLUE SMOKE | 1935 | assistant camera |
| LATE EXTRA | 1935 | assistant camera |
| WHITE LILAC | 1935 | assistant camera |
| ABDUL THE DAMNED | 1935 | clapper boy |
| SMITH'S WIVES | 1935 | assistant camera |
| OLD ROSES | 1935 | assistant camera |
| ALL AT SEA | 1935 | assistant camera |
| SEXTON BLAKE AND THE MADEMOISELLE | 1935 | assistant camera |
| THE BIG NOISE | 1936 | assistant camera |
| BLIND MAN'S BUFF | 1936 | assistant camera |
| CAFÉ MASCOT | 1936 | assistant camera |
| THE END OF THE ROAD | 1936 | assistant camera |
| TROUBLED WATERS | 1936 | assistant camera |
| WEDDING GROUP | 1936 | assistant camera |
| HIGHLAND FLING | 1936 | assistant camera |
| CONCERNING MR. MARTIN | 1937 | assistant camera |
| AGAINST THE TIDE | 1937 | assistant camera |
| CATCH AS CATCH CAN | 1937 | assistant camera |
| £5 MAN | 1937 | assistant camera |
| STRANGE EXPERIMENT | 1937 | assistant camera (uncredited) |
| THE BLACK TULIP | 1937 | assistant camera |
| CALLING ALL MA'S | 1937 | assistant camera |
| VARIETY HOUR | 1937 | assistant camera |
| MURDER IN THE FAMILY | 1938 | assistant camera |
| SECOND THOUGHTS | 1938 | assistant camera |
| WHO GOES NEXT? | 1938 | camera operator |
| LONDONDERRY AIR | 1938 | assistant camera |
| I MET A MURDERER | 1939 | camera operator |
| GREEN FOR DANGER | 1946 | cameraman |
| CAPTAIN BOYCOTT | 1947 | cameraman |
| BLANCHE FURY | 1947 | camera operator |
| THE PASSIONATE FRIENDS | 1948 | camera operator |
| OLIVER TWIST | 1948 | camera operator |
| FOOLS RUSH IN | 1949 | camera operator |
| THE ADVENTURERS | 1950 | director of photography |
| CIRCLE OF DANGER | 1950 | director of photography |
| GOLDEN SALAMANDER | 1950 | lighting cameraman |
| CAIRO ROAD | 1950 | director of photography |
| THE CARD | 1952 | director of photography |
| SO LITTLE TIME | 1952 | director of photography |
| SATURDAY ISLAND | 1952 | director of photography |
| SOUTH OF ALGIERS | 1952 | director of photography |
| MOULIN ROUGE | 1953 | director of photography |
| INDISCRETION OF AN AMERICAN WIFE / STAZIONE TERMINI | Italy / US, 1953 | director of photography (uncredited) |
| BEAT THE DEVIL | US / UK / Italy, 1953 | director of photography |
| BEAU BRUMMELL | 1954 | director of photography |
| MONSIEUR RIPOIS | 1954 | director of photography |
| THE MAN WHO NEVER WAS | 1955 | director of photography |
| MOBY DICK | UK / US, 1956 | director of photography / colour style creation |
| A FAREWELL TO ARMS | US, 1957 | director of photography |
| HEAVEN KNOWS, MR. ALLISON | UK / US, 1957 | director of photography |
| THE KEY | UK / US, 1958 | director of photography |
| THE ROOTS OF HEAVEN | US, 1958 | director of photography |
| LOOK BACK IN ANGER | 1959 | director of photography |
| THE ENTERTAINER | 1960 | director of photography |
| OUR MAN IN HAVANA | UK / US, 1960 | director of photography |
| THE GUNS OF NAVARONE | UK / US, 1961 | director of photography |
| SATAN NEVER SLEEPS | US / UK, 1962 | director of photography |
| TERM OF TRIAL | 1962 | director of photography |
| COME FLY WITH ME | 1962 | director of photography |
| LOLITA | UK / US, 1962 | director of photography |
| FACING THE FACTS | UK / US, 1963 | director of photography |
| THE CEREMONY | US / Spain, 1963 | director of photography |
| THE PUMPKIN EATER | 1964 | director of photography |
| OF HUMAN BONDAGE | 1964 | director of photography |
| MISTER MOSES | 1965 | director of photography |
| THE HILL | 1965 | director of photography |
| THE BATTLE OF THE VILLA FIORITA | US / UK, 1965 | director of photography |
| THE SPY WHO CAME IN FROM THE COLD | UK / US, 1965 | director of photography |
| LIFE AT THE TOP | 1965 | director of photography |
| STOP THE WORLD I WANT TO GET OFF | 1966 | director of photography |
| THE TAMING OF THE SHREW | US / Italy, 1966 | director of photography |
| THE GREAT CATHERINE | 1967 | director of photography |
| REFLECTIONS IN A GOLDEN EYE | UK / US, 1967 | director of photography (uncredited) |
| THE WINTER'S TALE | 1968 | director of photography |
| OLIVER! | UK / US, 1968 | director of photography |
| GOODBYE, MR. CHIPS | 1969 | director of photography |
| FRAGMENT OF FEAR | 1970 | director of photography |
| SCROOGE | 1970 | director of photography |
| FIDDLER ON THE ROOF | US, 1971 | director of photography |
| LADY CAROLINE LAMB | 1972 | director of photography |
| SLEUTH | US, 1972 | director of photography |
| THE MACKINTOSH MAN | US, 1973 | director of photography |
| THE ODESSA FILE | UK / West Germany / Netherlands, 1974 | director of photography |
| THE MAN WITH THE GOLDEN GUN | 1974 | director of photography |
| THE MAN WHO WOULD BE KING | US, 1975 | director of photography |
| THE SEVEN-PER-CENT SOLUTION | US, 1976 | director of photography |
| EQUUS | 1977 | director of photography |
| THE WIZ | US, 1978 | director of photography |
| JUST TELL ME WHAT YOU WANT | US, 1980 | director of photography |
| THE GREAT MUPPET CAPER | 1981 | director of photography |
| THE DARK CRYSTAL | UK / US, 1982 | director of photography |
| JOHN HUSTON | US, 1988 | on-screen participant |
| |
| Film Credits |
| |
| CINEMA: Oswald Morris | ITV tx 23/3/1972 | interviewee |
| DRACULA | US tx 8/2/1974; ITV tx 19/10/1981 | director of photography |
|
|
|
 |
|
|
|