| |
| Film Credits | | |
| | | |
| SAVED FROM THE SEA | 1920 | assistant cameraman / stuntman in quarry scene (both uncredited) |
| ROB ROY | 1922 | assistant cameraman / stunts (both uncredited) |
| FIRES OF FATE | UK / US, 1923 | assistant camera (uncredited) |
| THE FLAG LIEUTENANT | 1926 | director of photography |
| THE TRIUMPH OF THE RAT | 1926 | assistant camera / stand-in (both uncredited) |
| THE SOMME | 1927 | photography |
| BLUE BOTTLES | 1928 | photography (as F.A.Young) |
| VICTORY | 1928 | photography |
| THE TRIUMPH OF THE SCARLET PIMPERNEL | 1928 | assistant cameraman (uncredited) |
| DAY-DREAMS | 1928 | photography |
| BLACKMAIL | 1929 | montage shots in silent version (uncredited) |
| WHITE CARGO | 1929 | photography on reshot scenes for sound version (uncredited) |
| THE W PLAN | 1930 | photography |
| CANARIES SOMETIMES SING | 1930 | director of photography |
| ROOKERY NOOK | 1930 | photography (uncredited) |
| A WARM CORNER | 1930 | photography (as F.A.Young) |
| ON APPROVAL | 1930 | photography |
| THE LOVES OF ROBERT BURNS | 1930 | photography |
| TONS OF MONEY | 1931 | director of photography |
| PLUNDER | 1931 | photography (as F.A.Young) |
| MISCHIEF | 1931 | photography |
| TILLY OF BLOOMSBURY | 1931 | photography |
| THE CHANCE OF A NIGHT-TIME | 1931 | photography (as F.A.Young) |
| CARNIVAL | 1931 | photography (as F.A.Young) |
| GOOD NIGHT VIENNA | 1932 | photography (as F.A.Young) |
| IT'S A KING | 1932 | photography (as F.Young) |
| A NIGHT LIKE THIS | 1932 | photography (as F.A.Young) |
| THARK | 1932 | photography |
| THE BLUE DANUBE - A RHAPSODY | 1932 | photography (as F.A.Young) |
| THAT'S A GOOD GIRL | 1933 | photography (as F.A.Young) |
| THE KING'S CUP | 1933 | photography |
| YES MR. BROWN | 1933 | photography |
| NIGHT OF THE GARTER | 1933 | photography |
| BITTER SWEET | 1933 | director of photography (as F.A.Young) |
| NELL GWYN | 1934 | photography (as F.A.Young) |
| QUEEN'S AFFAIR | 1934 | photography |
| THE KING OF PARIS | 1934 | photography |
| WHERE'S GEORGE? | 1935 | photography |
| PEG OF OLD DRURY | 1935 | photography |
| COME OUT OF THE PANTRY | 1935 | photography |
| THIS'LL MAKE YOU WHISTLE | 1936 | photography (as F.A.Young) |
| WHEN KNIGHTS WERE BOLD | 1936 | photography (as F.A.Young) |
| MILLIONS | 1936 | photography (uncredited) |
| THE THREE MAXIMS | 1936 | photography (as F.A.Young) |
| LIMELIGHT | 1936 | photography (as F.A.Young) |
| THE FROG | 1937 | photography (as F.A.Young) |
| VICTORIA THE GREAT | 1937 | cinematography (as Frederick A.Young) |
| LONDON MELODY | 1937 | photography |
| SUNSET IN VIENNA | 1937 | photography (as F.A.Young) |
| THE RAT | 1937 | photography |
| SIXTY GLORIOUS YEARS | 1938 | director of photography |
| GOODBYE, MR. CHIPS | 1939 | photography (as F.A.Young) |
| NURSE EDITH CAVELL | US, 1939 | director of photography (as F.A.Young) |
| CONTRABAND | 1940 | photography (as F.A.Young) |
| BUSMAN'S HONEYMOON | 1940 | photography |
| 49TH PARALLEL | 1941 | director of photography (as Frederick Young) |
| THE YOUNG MR. PITT | 1942 | director of photography (as Frederick Young) |
| CAESAR AND CLEOPATRA | 1945 | photography (as F.A.Young) |
| BEDELIA | 1946 | photography |
| WHILE I LIVE | 1947 | director of photography (as F.A.Young) |
| SO WELL REMEMBERED | 1947 | photography |
| ESCAPE | 1948 | director of photography (as Frederick A. Young) |
| THE WINSLOW BOY | 1948 | director of photography (as Frederick Young) |
| CONSPIRATOR | 1949 | photography |
| EDWARD, MY SON | UK / US, 1949 | photography (as F.A.Young) |
| TREASURE ISLAND | US, 1950 | director of photography |
| CALLING BULLDOG DRUMMOND | 1951 | director of photography (as F.A.Young) |
| GISELLE | 1952 | photography |
| IVANHOE | US, 1952 | director of photography (as F.A.Young) |
| MILLION DOLLAR MERMAID | US, 1952 | insert photography of River Thames (uncredited) |
| TIME BOMB | 1953 | photography |
| MOGAMBO | US, 1953 | director of photography |
| KNIGHTS OF THE ROUND TABLE | US / UK, 1953 | director of photography (as F.A.Young) |
| BETRAYED | 1954 | photography |
| BEDEVILLED | US, 1955 | photography |
| INVITATION TO THE DANCE | US, 1956 | director of photography (as F.A.Young) |
| BHOWANI JUNCTION | US, 1956 | director of photography (as F.A.Young) |
| BEYOND MOMBASA | 1956 | photography |
| THE BARRETTS OF WIMPOLE STREET | 1956 | director of photography |
| LUST FOR LIFE | US, 1956 | director of photography |
| THE LITTLE HUT | US, 1956 | director of photography |
| ISLAND IN THE SUN | US / UK, 1957 | director of photography |
| I ACCUSE! | 1957 | photography / man who breaks butcher's window (uncredited) |
| INDISCREET | 1958 | photography |
| GIDEON'S DAY | 1958 | director of photography (as Frederick A.Young) |
| THE INN OF THE SIXTH HAPPINESS | 1958 | director of photography (as F.A.Young) |
| SOLOMON AND SHEBA | US, 1959 | director of photography (as Fred A. Young) |
| THE WRECK OF THE MARY DEARE | US, 1959 | additional photography |
| MACBETH | 1960 | director of photography |
| GORGO | 1960 | director of photography (as F.A.Young) |
| HAND IN HAND | 1960 | photography |
| THE GREENGAGE SUMMER | 1961 | director of photography |
| LAWRENCE OF ARABIA | 1962 | director of photography (as F.A.Young) |
| THE 7TH DAWN | UK / US, 1964 | director of photography |
| LORD JIM | 1964 | director of photography |
| ROTTEN TO THE CORE | 1965 | director of photography |
| DOCTOR ZHIVAGO | UK / US, 1965 | director of photography |
| THE DEADLY AFFAIR | 1966 | director of photography |
| YOU ONLY LIVE TWICE | 1967 | director of photography |
| SINFUL DAVEY | 1968 | photography |
| BATTLE OF BRITAIN | 1969 | director of photography |
| RYAN'S DAUGHTER | 1970 | director of photography |
| NICHOLAS AND ALEXANDRA | US, 1971 | photography |
| THE ASPHYX | 1972 | director of photography |
| LUTHER | US / UK / Canada, 1973 | director of photography |
| THE TAMARIND SEED | 1974 | photography |
| GREAT EXPECTATIONS | 1975 | director of photography |
| PERMISSION TO KILL | US / Austria, 1975 | photography |
| THE BLUE BIRD | US / USSR, 1976 | director of photography |
| STEVIE | US / UK, 1978 | director of photography |
| HOW TO SCORE... A MOVIE | 1978 | photography |
| BLOODLINE | US / West Germany, 1979 | director of photography |
| ROUGH CUT | US, 1980 | director of photography |
| RICHARD'S THINGS | 1980 | photography |
| INVITATION TO THE WEDDING | 1983 | photography |
| SWORD OF THE VALIANT - THE LEGEND OF GAWAIN AND THE GREEN KNIGHT | 1983 | photography |
| | | |
| TV Credits | | |
| | | |
| THE MAN IN THE IRON MASK | NBC (US) tx 17/1/1977 | director of photography |
| THE SOUTH BANK SHOW | ITV tx 13/5/1978 | subject of programme |
| EXTRAORDINARY | ITV tx 20/6/1978 | guest |
| IKE | ABC (US) tx 3/5/1979, ITV tx 25/10/1979 (3 pts) | photography (Europe) |
| THE BRITISH GREATS: Robert Donat | BBC tx 6/8/1980 | interviewee |
| FIRST LOVE: Arthur's Hallowed Ground | Channel 4 tx 30/8/1984 | director |
| THE SOUTH BANK SHOW: David Lean - A Life in Film | ITV tx 17/2/1985 | interviewee |
| CINEMA EUROPE: THE OTHER HOLLYWOOD | BBC tx 1/10 - 5/11/1995 (6 eps) | on-screen participant |
| THIS IS YOUR LIFE | ITV tx 11/10/1996 | subject of programme |
| BEHIN THE CAMERA: Freddie Young | BBC tx 31/12/1999 | subject of programme |
| | | |
| Advertising Credits | | |
| | | |
| BRITISH RAIL: Imposing Trains | 1984 | camera operator |
| | | |
| Training Credits | | |
| | | |
| THINKING ALOUD: Freddie Young | 1992 | on-screen participant |
