| |
| MARCH TO ALDERMASTON | 1959 | Production assistance |
| The WAR GAME | 1962 | Photography |
| The GUNS | 1963 | Technical team |
| A BOY CALLED DONOVAN | 1966 | Camera |
| The OPIUM TRAIL | 1966 | Photography |
| RAID INTO TIBET | 1966 | Film Cameraman |
| The UNKNOWN WAR | 1966 | Film Cameraman |
| IN SEARCH OF OPPORTUNITY | 1967 | Photography |
| POOR COW | 1967 | Camera Operator |
| BEYOND THE TROPOPAUSE | 1968 | Photography |
| ABEL GANCE - THE CHARM OF DYNAMITE | 1968 | Photography |
| IF.... | 1968 | Cameraman |
| SOLO | 1968 | Photography |
| WILD AND FREE - TWICE DAILY | 1969 | Director |
| KES | 1969 | Director of Photography |
| LOVING MEMORY | 1970 | Photography |
| A COMPLETELY DIFFERENT WAY OF LIFE? | 1971 | Director |
| TALK ABOUT WORK | 1971 | Commentator |
| TALK ABOUT WORK | 1971 | Photography |
| AFTER A LIFETIME | 1971 | Photography |
| A COMPLETELY DIFFERENT WAY OF LIFE? | 1971 | Producer |
| BLACK BEAUTY | 1971 | Director of Photography |
| GUMSHOE | 1971 | Director of Photography |
| The OPIUM WARLORDS | 1974 | Photography |
| TO BE SEVEN IN BELFAST | 1975 | Photography |
| CHICAGO STREETS | 1975 | Photography |
| BRITAIN ON THE BRINK? | 1975 | Camera Operator |
| BUSKER | 1976 | Photography |
| DUMMY | 1977 | Photography |
| FLY ON THE WALL | 1978 | Director |
| COLD HARBOUR | 1978 | Photography |
| The WHITE POWDER OPERA | 1978 | Photography |
| SEEDS OF DEMOCRACY | 1979 | Director of Photography |
| AUDITIONS | 1979 | Photography |
| ROOTS OF VIOLENCE | 1979 | Photography |
| BLACK JACK | 1979 | Photography |
| STATE OF EMERGENCY | 1979 | Photography |
| BLOODY KIDS | 1979 | Photography |
| The EMPIRE STRIKES BACK | 1980 | 2nd Unit Photographer |
| BABYLON | 1980 | Photography |
| A SENSE OF FREEDOM | 1981 | Photography |
| COUPLES & ROBBERS | 1981 | Photography |
| LOOKS AND SMILES | 1981 | Director of Photography |
| A QUESTION OF LEADERSHIP | 1981 | Photography |
| WALTER | 1982 | Photography |
| EAST 103RD | 1982 | Producer |
| EAST 103RD | 1982 | Director |
| ANGEL | 1982 | Photography |
| BATTLETRUCK | 1982 | Photography |
| The GAMEKEEPER | 1983 | Director of Photography |
| RHINO | 1983 | Photography |
| WALTER AND JUNE | 1983 | Photography |
| LOCAL HERO | 1983 | Director of Photography |
| LOVING WALTER | 1983 | Photography |
| The RED AND THE BLUE - IMPRESSIONS OF TWO POLITICAL CONFERENCES - AUTUMN 1982 | 1983 | Camera |
| COMFORT AND JOY | 1984 | Photography |
| The KILLING FIELDS | 1984 | Director of Photography |
| WHICH SIDE ARE YOU ON? | 1985 | Photography |
| MARIE | 1985 | Director of Photography |
| The MISSION | 1986 | Director of Photography |
| FATHERLAND | 1986 | Photography |
| SHOWREEL 87 | 1987 | Cast Member |
| A WORLD APART | 1987 | Director |
| WINTER FLIGHT | 1987 | Lighting Camera Operator |
| HIGH SEASON | 1987 | Director of Photography |
| SHY PEOPLE | 1987 | Director of Photography |
| SHOWREEL 87[01/01/88] | 1988 | Judge |
| CRISSCROSS | 1991 | Director |
| MADE IN BRITAIN | 1991 | Director of Photography |
| DIRECTOR ALAN CLARKE | 1991 | interviewee |
| The TRIBE THAT HIDES FROM MAN | 1992 | Photography |
| SECOND BEST | 1994 | Director |
| MICHAEL COLLINS | 1996 | Director of Photography |
| The OPIUM CONVOYS | 1996 | Photography |
| SMACK CITY | 1996 | Photography |
| The KINGS OF OPIUM | 1996 | Photography |
| The EMPIRE STRIKES BACK | 1997 | Director of Photography (Studio 2nd Uni) |
| The BOXER | 1997 | Director of Photography |
| The LOST SON | 1999 | Director |
| The PLEDGE | 2001 | Director of Photography |
| RIDING IN CARS WITH BOYS | 2001 | [Director of Photography] |
| RIDING IN CARS WITH BOYS | 2001 | Special Thanks to |
| The GOOD THIEF | 2002 | Director of Photography |
| DIRTY PRETTY THINGS | 2002 | Director of Photography |
| DIRTY PRETTY THINGS | 2002 | Camera Operator |
