| |
| Film credits |
| |
| THE PRIVATE LIFE OF DON JUAN / EXIT DON JUAN / DON JUAN | 1934 | assistant camera (uncredited) |
| THE MAN WHO COULD WORK MIRACLES / THE MIRACLE MAN | 1936 | camera operator (uncredited) |
| MEN ARE NOT GODS / TRIANGLE | 1936 | camera operator |
| THINGS TO COME / THE SHAPE OF THINGS TO COME / H.G. WELLS' THINGS TO COME / WHITHER MANKIND | 1936 | camera operator |
| REMBRANDT | 1936 | camera operator |
| THE SQUEAKER / MURDER ON DIAMOND ROW | 1937 | camera operator |
| THE DRUM / THE DRUMS | 1938 | camera operator (uncredited) |
| THE FOUR FEATHERS | 1939 | camera operator (uncredited) |
| OLD BILL & SON | 1940 | camera operator |
| THE THIEF OF BAGDAD / THE THIEF OF BAGDAD: AN ARABIAN FANTASY IN TECHNICOLOR / THE THIEF OF BAGHDAD | 1940 | camera operator (uncredited) |
| "...ONE OF OUR AIRCRAFT IS MISSING" | 1942 | associate photographer [as Bob Krasker] |
| THE ROSE OF TRALEE | 1942 | 2nd camera |
| THE GENTLE SEX | 1943 | lighting cameraman |
| THE SAINT MEETS THE TIGER | US/UK, 1943 | photography |
| HENRY V | 1944 | the director of photography |
| BRIEF ENCOUNTER | 1945 | director of photography |
| CAESAR AND CLEOPATRA | 1945 | photography |
| GREAT EXPECTATIONS | 1946 | director of photography - started (uncredited) |
| UNCLE SILAS / THE INHERITANCE | 1947 | photography |
| ODD MAN OUT | 1947 | director of photography |
| BONNIE PRINCE CHARLIE | 1948 | photography |
| THE THIRD MAN | 1949 | photography |
| THE ANGEL WITH THE TRUMPET | 1949 | director of photography |
| STATE SECRET / THE GREAT MANHUNT | 1950 | photography |
| ENTFÜHRUNG INS GLÜCK | UK/Austria, 1950 | photography |
| CRY, THE BELOVED COUNTRY / AFRICAN FURY | 1951 | director of photography |
| THE WONDER KID / THE WONDER BOY / THE WONDER CHILD | 1951 | photography |
| ANOTHER MAN'S POISON | 1951 | director of photography |
| MALTA STORY | 1953 | director of photography |
| NEVER LET ME GO | 1953 | photography |
| ROMEO AND JULIET / GIULIETTA E ROMEO | UK/Italy, 1954 | director of photography |
| SENSO / THE WANTON COUNTESS / URAGANO D'ESTATE / SUMMER STORM | 1954 | director of photography |
| ALEXANDER THE GREAT | US, 1955 | director of photography |
| THAT LADY | 1955 | director of photography |
| TRAPEZE | US, 1956 | director of photography |
| THE RISING OF THE MOON / THREE LEAVES OF A SHAMROCK | Eire/US, 1957 | photography |
| THE STORY OF ESTHER COSTELLO / THE GOLDEN VIRGIN | 1957 | director of photography |
| BEHIND THE MASK / THE PACK | 1958 | photography |
| THE DOCTOR'S DILEMMA | 1958 | director of photography |
| THE QUIET AMERICAN | US, 1958 | director of photography |
| LIBEL | 1959 | director of photography |
| HAVE JAZZ WILL TRAVEL: London | 1959 | photography |
| THE SOUND OF JAZZ | 1959 | photography |
| INSIGHT - ANTHONY ASQUITH | 1960 | on-screen participant |
| THE CRIMINAL / CONCRETE JUNGLE | 1960 | director of photography |
| ROMANOFF AND JULIET / DIG THAT JULIET | US, 1960 | photography |
| EL CID | US/Italy, 1961 | director of photography |
| BILLY BUDD | 1962 | director of photography |
| GUNS OF DARKNESS | 1962 | photography |
| THE RUNNING MAN | UK/US, 1963 | photography |
| THE FALL OF THE ROMAN EMPIRE | US, 1964 | director of photography |
| THE COLLECTOR | US/UK, 1965 | director of photography |
| THE HEROES OF TELEMARK / THE UNKNOWN BATTLE | 1965 | director of photography |
| THE TRAP | UK/Canada, 1966 | photography |
| RED | 1976 | photography |
| CRY WOLF | 1980 | photography |
