|  | 
| Film credits | 
|  | 
| MARIUS | France, 1931 | art director | 
| MEN OF TOMORROW / YOUNG APOLLO | 1932 | designer | 
| WEDDING REHEARSAL | 1932 | designer | 
| THE GIRL FROM MAXIM'S | 1933 | art director | 
| THE PRIVATE LIFE OF HENRY VIII / HENRY VIII / OH HENRY | 1933 | settings designer | 
| THE PRIVATE LIFE OF DON JUAN / EXIT DON JUAN / DON JUAN | 1934 | sets | 
| CATHERINE THE GREAT / THE RISE OF CATHERINE THE GREAT | 1934 | art director | 
| THE GHOST GOES WEST | 1935 | sets design | 
| MOSCOW NIGHTS / NATACHA / I STAND CONDEMNED | 1935 | art director (uncredited) | 
| SANDERS OF THE RIVER / KONGO RAID | 1935 | designer | 
| THE SCARLET PIMPERNEL | 1935 | settings | 
| THE MAN WHO COULD WORK MIRACLES / THE MIRACLE MAN | 1936 | settings designer | 
| MEN ARE NOT GODS / TRIANGLE | 1936 | settings designer | 
| THINGS TO COME / THE SHAPE OF THINGS TO COME / H.G. WELLS' THINGS TO COME / WHITHER MANKIND | 1936 | settings designer | 
| REMBRANDT | 1936 | settings designer | 
| ACTION FOR SLANDER | 1937 | supervising art director | 
| ELEPHANT BOY | 1937 | design (uncredited) | 
| THE SQUEAKER / MURDER ON DIAMOND ROW | 1937 | settings | 
| 21 DAYS / THE FIRST AND THE LAST /  21 DAYS TOGETHER | 1937 | settings designer | 
| THE DRUM / THE DRUMS | 1938 | settings designer | 
| PRISON WITHOUT BARS | 1938 | supervising art director | 
| THE CHALLENGE | 1938 | supervising art director | 
| THE FOUR FEATHERS | 1939 | settings designer | 
| Q PLANES / CLOUDS OVER EUROPE | 1939 | supervising art director | 
| THE SPY IN BLACK / U-BOAT 29 | 1939 | supervising art director | 
| OVER THE MOON | 1939 | settings designer | 
| THE CONQUEST OF THE AIR | 1940 | designer (uncredited) | 
| OLD BILL & SON | 1940 | art director | 
| THE THIEF OF BAGDAD / THE THIEF OF BAGDAD: AN ARABIAN FANTASY IN TECHNICOLOR / THE THIEF OF BAGHDAD | 1940 | production designer | 
| LYDIA / ILLUSIONS | US, 1941 | production designer | 
| MAJOR BARBARA | 1941 | production designer | 
| JUNGLE BOOK | US, 1942 | production designer | 
| TO BE OR NOT TO BE / TO SPY OR NOT TO SPY / LES JEUX DANGEREUX | 1942 | production designer | 
| PERFECT STRANGERS / A VACATION FROM MARRIAGE | 1945 | art director | 
| AN IDEAL HUSBAND | 1947 | art director | 
| BONNIE PRINCE CHARLIE | 1948 | art director | 
| ANNA KARENINA | 1948 | set designer (uncredited) | 
| THE FALLEN IDOL / THE LOST ILLUSION | 1948 | set designer | 
| THE THIRD MAN | 1949 | set designer | 
| THE HOLLY AND THE IVY | 1952 | set designer | 
| HOME AT SEVEN / MURDER ON MONDAY | 1952 | art director | 
| THE SOUND BARRIER / BREAKING THE SOUND BARRIER / BREAKING THROUGH THE SOUND BARRIER | 1952 | set designer | 
| OUTCAST OF THE ISLANDS | 1952 | set designer | 
| THE STORY OF GILBERT AND SULLIVAN / THE GREAT GILBERT AND SULLIVAN / MISTER GILBERT AND MISTER SULLIVAN | 1953 | thanks to | 
| MALAGA / FIRE OVER AFRICA | 1954 | art director | 
| THE DEEP BLUE SEA | 1955 | production designer | 
| SUMMER MADNESS / SUMMERTIME | US/UK, 1955 | production designer | 
| SCENT OF MYSTERY / HOLIDAY IN SPAIN | US, 1960 | art director | 
| THE LONGEST DAY | US, 1962 | art director | 
| THE YELLOW ROLLS-ROYCE | 1964 | European sequences art director |