| |
| Film Credits | | |
| | | |
| EVERYDAY | 1929 | cast member |
| CONQUEST | 1930 | assistant |
| O'ER HILL AND DALE | 1932 | director |
| WINDMILL IN BARBADOS | 1933 | director / camera / editor (uncredited) |
| THE SHEPHERD | 1933 | director |
| THE COUNTRY COMES TO TOWN | 1933 | director / photography (both uncredited) |
| CARGO FROM JAMAICA | 1933 | director / photography / editor (last two uncredited) |
| LINER CRUISING SOUTH | 1933 | director / photography (uncredited) |
| KING LOG | 1934 | director |
| NEGOMBO COAST | 1934 | director (uncredited) |
| THE SONG OF CEYLON | 1934 | director / photography / editor (last two uncredited) |
| PETT AND POTT - A FAIRY STORY OF THE SUBURBS | 1934 | associate director / Vicar |
| HOW TO TELL A PHONE | 1936 | producer |
| NIGHT MAIL | 1936 | producer / director / script / editor (last three uncredited) |
| THE FAIRY OF THE PHONE | 1936 | producer |
| RAINBOW DANCE | 1936 | producer |
| CHILDREN AT SCHOOL | 1937 | director |
| SHEPHERD'S WATCH | 1937 | director |
| THE LEAGUE AT WORK | 1937 | director |
| MODERN ORPHANS OF THE STORM - THE STORY OF THE REFUGEE BASQUE CHILDREN | 1937 | director / producer (both uncredited) |
| THE SMOKE MENACE | 1937 | producer (uncredited) |
| THE FACE OF SCOTLAND | 1938 | director |
| ADVANCE DEMOCRACY! | 1938 | producer (uncredited) |
| POSTAL SPECIAL | 1939 | director (uncredited) |
| THE LONDONERS | 1939 | associate producer |
| MEN OF AFRICA | 1940 | producer |
| MOTHER AND CHILD | 1940 | associate producer |
| NEIGHBOURS UNDER FIRE | 1940 | associate producer |
| WHITE BATTLE FRONT | 1940 | associate producer |
| THE FOURTH ESTATE: A FILM OF A BRITISH NEWSPAPER | 1940 | Heritage' commentary script (uncredited) |
| THE GREEN GIRDLE | 1941 | producer |
| MOBILE CANTEEN | 1941 | producer |
| GOODBYE YESTERDAY | 1941 | producer |
| LIVING WITH STRANGERS | 1941 | associate producer |
| QUEEN'S MESSENGERS | 1941 | associate producer |
| A GOOD LANDFALL | 1941 | producer |
| ADESTE FIDELES | 1941 | producer |
| BATTLE OF SUPPLIES | 1942 | producer |
| THE HARVEST SHALL COME | 1942 | producer |
| BATTLE FOR FREEDOM | 1942 | producer |
| LIFT YOUR HEAD, COMRADE | 1942 | producer |
| SUBJECT FOR DISCUSSION | 1943 | associate producer |
| NEURO-PSYCHIATRY | 1943 | producer |
| THIS WAS JAPAN | 1945 | director |
| THE CHANNEL ISLANDS 1940-1945 | 1945 | producer |
| THE STORY OF OMOLO | 1946 | director |
| A DIARY FOR TIMOTHY | 1946 | producer |
| IT MIGHT BE YOU | 1946 | producer |
| CHILDREN ON TRIAL | 1946 | producer |
| TOWN MEETING OF THE WORLD | 1946 | producer |
| A DEFEATED PEOPLE | 1946 | producer (uncredited) |
| BERNARD MILES ON GUN DOGS | 1949 | director |
| WATERS OF TIME | 1951 | director / producer / script / editing |
| THE BOY KUMASENU | 1951 | associate producer |
| THE DRAWINGS OF LEONARDO DA VINCI | 1953 | producer |
| WORLD WITHOUT END | 1953 | director (Thailand) / producer / script |
| THE STAINED GLASS AT FAIRFORD | 1956 | director / producer |
| ONE WISH TOO MANY | 1956 | producer |
| MIRROR IN THE SKY | 1956 | producer |
| GREECE THE IMMORTAL LAND | 1958 | director / producer |
| GREEK SCULPTURE 3000 B.C. TO 300 B.C. | 1959 | director / producer |
| A PLACE FOR GOLD | 1960 | director / producer |
