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Film & TV credits
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| | | Film credits |
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| ELDORADO | France, 1921 | costume design |
| RESURRECTION | France, 1923 | production design |
| L' INHUMAINE / THE NEW ENCHANTMENT | France, 1924 | Art Director |
| LA BARRACA DE LOS MONSTRUOS / LA GALERIE DES MONSTRES | France/Spain, 1924 | Assistant Director |
| FEU MATHIAS PASCAL / THE LATE MATHIAS PASCAL | France, 1925 | Art Director |
| RIEN QUE LES HEURES / THE BOOK OF HOURS | France, 1926 | Director |
| THE LITTLE PEOPLE | 1926 | Art Director |
| LA P'TITE LILIE | France, 1927 | Director, Screenplay, Editor |
| YVETTE | France, 1927 | Director, Adaptation, Editor |
| LE TRAIN SANS YEUX | France, 1927 | Director |
| LA JALOUSIE DU BARBOUILLE | 1927 | Director |
| EN RADE / SEA FEVER | France, 1927 | Director |
| LE CAPITAINE FRACASSE | France, 1928 | Director |
| TIRE AU FLANC | France, 1928 | Adaptation |
| LE PETIT CHAPERON ROUGE / LITTLE RED RIDING HOOD | France, 1929 | Director / Cast Member |
| VOUS VERREZ LA SEMAINE PROCHAINE | France, 1929 | Director |
| A CANCAO DO BERCO | Portugal, 1930 | Director |
| TOUTE SA VIE | US/France, 1930 | Director |
| DANS UNE ILE PERDUE | France, 1930 | director |
| LES VACANCES DU DIABLE | France, 1931 | director, screenplay |
| A MI-CHEMIN DU CIEL | France, 1931 | Director, Adaptation |
| LE TRUC DU BRESILIEN | France, 1932 | Director, Screenplay |
| NOUS NE FERONS JAMAIS DE CINEMA | France, 1932 | Director |
| TOUR DE CHANT | France, 1932 | Director |
| REVUE MONTMARTROISE | France, 1932 | Director |
| LE JOUR DU FROTTEUR | France, 1932 | Director |
| EN LISANT LE JOURNAL | France, 1932 | Director |
| LE MARI GARCON | France, 1933 | Director |
| PLAISIRS DEFENDUS | France, 1933 | Director |
| CORALIE ET CIE | France, 1933 | Director |
| WINDMILL IN BARBADOS | 1933 | Sound (uncredited) |
| GRANTON TRAWLER | 1934 | Sound |
| PETT AND POTT: A FAIRY STORY OF THE SUBURBS | 1934 | Director, screenplay (uncredited), Sound Supervisor (uncredited), Editor (uncredited) / J. Leviticus (uncredited) |
| THE SONG OF CEYLON | 1934 | Sound Supervisor (uncredited) |
| THE GLORIOUS SIXTH OF JUNE / NEW RATES | 1934 | Director |
| COAL FACE | 1935 | Director (uncredited), Screenplay (uncredited) |
| THE KING'S STAMP | 1935 | Producer (uncredited) |
| BBC THE VOICE OF BRITAIN | 1935 | Production (uncredited) |
| THE SAVING OF BILL BLEWITT | 1936 | Producer |
| NIGHT MAIL | 1936 | Sound Direction |
| RAINBOW DANCE | 1936 | Producer |
| MESSAGE FROM GENEVA | 1936 | Director |
| LINE TO THE TSCHIERVA HUT | 1937 | Director (uncredited) |
| MEN OF THE ALPS | UK/Switzerland, 1937 | Director (uncredited) |
| WHO WRITES TO SWITZERLAND? | 1937 | director |
| BIG MONEY | 1937 | Producer |
| WE LIVE IN TWO WORLDS / WE LIVE IN TWO WORLDS: A FILM TALK BY J.B. PRIESTLEY | 1937 | Director |
| FOUR BARRIERS | 1937 | Director (uncredited) |
| DAILY ROUND | 1937 | Producer |
| BOOK BARGAIN | 1937 | Producer |
| NORTH OF THE BORDER | 1937 | Producer |
| MONY A PICKLE | 1938 | Director, Producer |
| HAPPY IN THE MORNING: A FILM FANTASY | 1938 | Director, Producer, Screenplay |
| NORTH SEA | 1938 | Producer |
| SPEAKING FROM AMERICA | 1938 | Producer (uncredited) |
| LOVE ON THE WING | 1938 | Producer |
| N OR NW | 1938 | Supervisor |
| MID-SUMMER DAY'S WORK | 1939 | Director |
| AT THE THIRD STROKE | 1939 | Producer |
| SPARE TIME / BRITISH WORKERS | 1939 | Producer |
| MEN IN DANGER | 1939 | Producer |
| HEALTH FOR THE NATION | 1939 | Production |
| THE CHILTERN COUNTRY | 1939 | Director |
| THE CITY: A FILM TALK BY SIR CHARLES BRESSEY | 1939 | Producer |
| THE FIRST DAYS | 1939 | Produced by |
| YELLOW CAESAR | 1940 | Director |
| YOUNG VETERAN | 1940 | Producer |
| ALICE IN SWITZERLAND | 1940 | Director |
| FORTY MILLION PEOPLE | 1940 | Production |
| SPRING OFFENSIVE | 1940 | Producer |
| LA CAUSE COMMUNE | 1940 | Director |
| FACTORY FRONT | 1940 | Director |
| MASTERY OF THE SEA | 1940 | Director |
| FRENCH COMMUNIQUE | 1940 | Producer |
| MEN OF THE LIGHTSHIP | 1940 | Producer |
| SALVAGE WITH A SMILE | 1940 | Producer |
| SEA FORT | 1940 | Producer |
| SQUADRON 992 | 1940 | Produced by |
| TURNED OUT NICE AGAIN | 1941 | Consulting Art Director (uncredited) |
| YOUNG VETERANS | 1941 | Producer |
| FILM AND REALITY | 1942 | Extracts selected |
| WENT THE DAY WELL? | 1942 | Director |
| FIND, FIX AND STRIKE | 1942 | Producer |
| THE FOREMAN WENT TO FRANCE / SOMEWHERE IN FRANCE | 1942 | Associate Producer |
| THE BIG BLOCKADE | 1942 | Associate Producer |
| TROIS CHANSONS DE LA RESISTANCE / SOUP BEFORE SUNRISE | France, 1943 | Director |
| THE GREEK TESTAMENT | 1943 | Producer |
| WATERLIGHT | 1943 | DIRECTOR |
| CHAMPAGNE CHARLIE | 1944 | Director |
| THE HALFWAY HOUSE | 1944 | Associate Producer |
| DEAD OF NIGHT | 1945 | Director 2/4 (uncredited) |
| THE SKY'S THE LIMIT | 1945 | Director |
| THE LIFE AND ADVENTURES OF NICHOLAS NICKLEBY | 1947 | Director |
| THEY MADE ME A FUGITIVE / I BECAME A CRIMINAL / THEY MADE ME A CRIMINAL | 1947 | Director |
| THE FIRST GENTLEMAN / AFFAIRS OF A ROGUE | 1948 | Director |
| FOR THEM THAT TRESPASS | 1948 | Director |
| CAICARA | Brazil, 1950 | producer, script |
| SANTUARIO | Brazil, 1951 | Director |
| ANGELA | Brazil, 1951 | screenplay |
| TERRA E' SEMPRE TERRA | Brazil, 1951 | Director |
| PAINEL | Brazil, 1952 | producer |
| SIMAO, O CAOLHO / SIMON THE ONE-EYED / ONE-EYED SIMON | Brazil, 1952 | Director |
| O CANTO DO MAR / THE SONG OF THE SEA | Brazil, 1953 | Director |
| A MULHER DE VERDADE / A REAL WOMAN | Brazil, 1954 | Director |
| HERR PUNTILA UND SEIN KNECHT MATTI / MR PUNTILA AND HIS SERVANT MATTI | Austria1956 | Director, Screenplay |
| LA PRIMA NOTTE / LES NOCES VENITIENNES | Italy/France, 1959 | Director |
| THE MONSTER OF HIGHGATE PONDS | 1960 | Director |
| HOW TO BE A HOSTESS | 1961 | Director |
| THE STORY OF ISRAEL: THUS SPAKE THEODOR HERZL | Israel, 1967 | Director |
| LES LETTRES DE STALINGRAD | France, 1969 | Cast Member |
| UN HOMEN E O CINEMA / ONE MAN AND THE CINEMA | Brazil, 1977 | Director |
| GRIERSON | Canada, 1973 | on-screen participant |
| SERA QUE ELA AGUENTA? | Brazil, 1977 | cast member |
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| Television credits |
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| CINEASTES DE NOTRE TEMPS: La Première Vague | ORTF (France), 1968 | interviewee |
| LES EMPAILLES | ORTF (France), 1969 | director |
| ARENA: CINEMA | BBC2 tx 16/2/1977 | Interviewee |
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