British Film Institute

My Childhood (1972) was the first of three films based on director Bill Douglas' memories of his own impoverished childhood in the Scottish mining village of Newcraighall. Made immediately after Douglas had graduated from the London Film School, on its release it was greeted with considerable critical acclaim. It went on to win several awards, including the Silver Lion at Venice, but only a small place in broader accounts of British cinema.

One brief scene begins with a shot of a bunch of withered flowers, followed by four shots of Jamie (whose childhood the film narrates) throwing the flowers on the floor, pouring water from a kettle into the cup that held the flowers, pouring out the water, and then kneeling in front of his grandmother and easing her cold fingers around the warmed cup. The scene is striking for a precision of editing suggestive of Soviet montage, and an austerity partly attributable to the limited funding available from the newly reorganised BFI Production Board, but also to the impoverished setting, black-and-white photography, sparse camera movement and absence of dialogue and music.

The use of locations and non-professional actors might suggest an example of British realism, but My Childhood fits uneasily within a tradition of documentation and social observation. The film's harsh, unsentimental, but also intensely felt and moving portrait of childhood is encapsulated in the seeming callousness of Jamie throwing the flowers on the floor, followed by the tenderness of the final close-up of two pairs of hands.

Guy Barefoot

Click titles to see or read more